So . . . (that’s the way Da Yute begin many random sentences these days, and I am attempting to acquire a patina of Yute) as I was saying a post or two ago, a Raven and a Fat Black Pussycat went into a bar to kiss the Moose. And you thought nothing interesting ever happened Up North in the winter.
I will translate for you. A bunch of us from Around Here headed down to Sleder’s last Sunday to listen to Josh White Jr. We had a wonderful time, even though Louan refused to kiss the moose. I would have kissed the moose–his name is Randolph, and I think he’s a sweetie–but I am too short to reach.
All the people at our table had spent time in Lansing* in our Yute and remembered hearing Josh White Jr. at the Fat Black Pussycat, a coffeehouse with silhouettes of cool cats painted on the walls, carpeted risers for sitting, and folk music for listening. It was nothing like Starbucks. (Its timing was bad. It opened in 1964 and closed in 1966, the victim of a sea change in popular music.)
*For those of you not from Around Here, East Lansing is the home of Michigan State University, one of the very first Land Grant Colleges, an excellent example of what all of us together–”government”–managed to accomplish in the 19th century.
Some of us at the table had also spent time in Detroit, and remembered White’s appearances at the Raven Gallery, which closed in 1980. OK, now I’m getting maudlin. But the Raven was reincarnated in Ann Arbor and . . . I have no idea what happened to it after that, because I moved Up Here and lost track of things. My friends think I need to find track of things, so they persuade me to get out and go to The Porch at Sleder’s (see below–that part on the left is The Porch).
So . . . I stole that photo from the Sleder’s site, but I’m sure they won’t mind. The day Josh White Jr. appeared, there was snow on the ground, but no bloggers or musicians froze to death in the making of this post because The Porch is enclosed. In case you wondered.
Josh White Jr. has not lost track of things at all. He was four years and two months old when he joined his famous father Josh White Sr. on stage to sing One Meatball, and he’s been at it ever since.
Now it’s 70 years later and he can still hold a crowd in the palm of his hand. His voice is terrific, he tells great stories, and he is out there on the circuit, making a living doing what he loves. What a concept.

Josh White, Jr. at Sleder’s, Traverse City, Michigan, 2016. Photo courtesy of Therese Cousins who was at our table and helped blend me in.
The crowd at Sleder’s sings. OK, I caterwaul, but I sit next to my betters and they drown me out or blend me in, take your choice. So . . . we sang along for a fine couple of hours. We heard some great stories, too, one of my favorites being this one: A few years ago a company we won’t name here acquired an archive of early Josh White Sr. recordings. They duly published and marketed same without, um, paying any royalties, but that’s another post entirely. The main thing, according to Jr., is that for the first time in his life he heard his father’s voice and guitar playing when his father was 19 years old. Imagine that. I spent a good deal of time imagining that. I love this stuff.
The other story I want to tell you is about the Lost Voices project. One way a singer/songwriter (or a Stone Circle poet) makes a career in Michigan is to be an educator. Josh White Jr. and his friends Matt Ball and Kitty Donohoe are educators with a difference. With the help of grants from the Michigan Humanities Council and the Michigan Council for Arts and Cultural Affairs they work with incarcerated kids in facilities all over Michigan, helping them to turn their feelings and their life experiences into poetry and song. Rehabilitation might be just a matter of fishing kids out of despair one at a time and giving them a voice. You never know unless you try.
So . . . I wended my way homeward humming gently and resolving to listen to WNMC’s Afternoon Jazz more often. Beats the living daylights out of a lot of stuff you can trip over on the airwaves these days. One Meatball . . .
Wendi
March 5, 2016
Love Josh White, Jr. We brought him into ERMS when my kids were there (with the help of a MHC grant). Good for them with their Lost Voices project. Sounds like you guys had a wonderful night!
Gerry
March 5, 2016
It was wonderful. When he sang one of the songs that had come out of the Lost Voices project I thought at once of Terry’s Elders Projects, and his veterans projects, and the current one at Community Mental Health. Sooner or later everything is connected.
WOL
March 6, 2016
“Da Yute” — that one took me a minute. Not up on my northern dialectics. Singer/Songwriter/Raconteur. If I had my pick of the “triple threat” players, that’s the one I’d go for. The folk movement was just a squidge before my time. I caught on at about the time Judy Collins sequed into Joni Mitchell. Made my first pitcher of iced tea of the season. The times they are a’changing.
Gerry
March 6, 2016
I am very fond of raconteurs myself. I’m trying to decide if I think they’re different from storytellers. That’s another post entirely, but one that might appear.
I’m with Duke Ellington. Asked what kind of music he liked best he said “good music.”
I made my first iced coffee of the season, too, although it was an accident . . .
P.j. grath
March 6, 2016
Oh, my, indeed! My first husband and friends sang folk music at the Fat Black Pussycat. Only last week, in the car, I broke out into a chorus of “One Meatball.” Gerry, I’ll bet we could go on for a long time with things we both remember. And I completely understand your reference to what government accomplished in the 19th century. D’accord, mon amie!
Gerry
March 6, 2016
I’m working on a theory of everything that says worldviews are correlated with a person’s age, stage of life, and location combined, rather than any one of them singly. This comes up all the time when I’m trying to explain things to Rob the Firefighter. I hope you went to the link and listened to 4-year-old Josh warbling “One Meatball” with his dad!
It has occurred to me that government accomplished many things in the 19th century that weren’t so good, too. Troubling times, not unlike our own.
tootlepedal
March 6, 2016
A most entertaining post about what certainly sounds like a most entertaining concert.
Gerry
March 6, 2016
It was entertaining indeed. You and Mrs. T. would have made an excellent contribution in the category of blending me in.
tootlepedal
March 7, 2016
Mrs T perhaps, me not so much.
Martha J
March 6, 2016
I LOVE going to small venue concerts like that. It reminds me of the times I used to play guitar in coffee houses around East Lansing for nothing but nods and applause (if I was lucky). The Ten Pound Fiddle in East Lansing kind of keeps the coffee house idea alive. They had the first Red Cedar Songwriters Workshop and Festival last weekend and the people who led the workshops gave a fantastic concert on Friday night – John Latini, Jamie Sue Seal and Jonathan Kingham. There were not many people there but I was mesmerized by the great music and stories they told. I love Josh White Jr. and he certainly does love what he does or he would not keep doing it and making so many people happy. Sing on!
Gerry
March 6, 2016
Martha, you surprise me! I must investigate the Ten Pound Fiddle. I play nothing at all anymore, and have a terrible voice, but I love music and am a very good audience.
Martha J
March 7, 2016
I really don’t think it matters how you sing as long as you sing – kind of like Joni Mitchell saying the more voices the better, and the more out of tune voices the better.
Gerry
March 7, 2016
Now there is a musical philosophy that a warbler like me loves to hear. Blessings to her.
Martha
March 8, 2016
This is a great post. I would have enjoyed being there, too.
Doing what you love comes with great sacrifice, usually. I’m learning that one can be a lightning rod for all kinds of accusations and vitriol.
The Lost Voices Project: Yes, yes, yes.
Gerry
March 8, 2016
Yes indeed. But life comes with mess. Might as well do what you love!
Karma
March 8, 2016
I think it is a good thing to have friends who encourage you to find track of things. Where would we be without them? Somewhere off the rails, most likely…
Gerry
March 8, 2016
At the very least off leash.
shoreacres
March 8, 2016
Re: your discussion with Martha, don’t forget that the Good Book advises making a “joyful noise” unto the Lord. Even I can do that.
Josh White, Jr.? I had no idea. But I grew up with Josh White, Sr. Woody Guthrie. Leadbelly. Tom Paxon. Pete Seeger. The Lomaxes. Did you know that much of the Lomax collection is online, now? Here’s a link. Note midway through there’s another link to Wisconsin and Michigan recordings. I especially like the Michigan recording of “This Old World’s in a Tangle” (1938). Ain’t that just the truth?
Gerry
March 8, 2016
You and Josh White Jr grew up with the same people! (When he was eight and a half he met Leadbelly, and his dad sang “Precious Lord” at Leadbelly’s funeral.)
I did not know how much of the Lomax collection was online, and I’m glad to have the link – thank you. Before Rob the Firefighter was born his dad and I had quite a collection of records, including most of the published Lomax catalog. (We found them in remainder bins all over the place. It was a treasure hunt.) Many years later we divided things. I moved north with the books, he moved south with the records. OK, it was more complicated than that, but that explains why I no longer have those records and why I am glad to be able to listen to some of the music.
A few years ago Louan and I went to hear the restored Michigan and Wisconsin recordings along with a live performance of some of the songs. I could have sworn I did a blog post, but I can’t find it. I’m definitely going to enjoy that link.
Craig Smith
March 10, 2016
I love the Lost Voices project.
Now, the title of your post has given me an image of Edgar Allan Poe, Edward Lear, and Elizabeth Bishop sitting in a bar, and it won’t go away.
Edgar: Nevermore!
Edward: I brought plenty of money.
Elizabeth: Homely creature, isn’t it?
Edgar: Well, maybe just this once….
Gerry
March 10, 2016
See this is why I like having a diversity of ages around here. A person gets a different perspective. Or whiplash, depending. I will never pass the bar at Sleder’s again without expecting to see your trio there.